Transit, SkyTrain, Levitation, levitate, Floating, Train, Man, Float

As I’m nearing the end of 365 project, you try a lot of things that get the creative juices flowing. Off-camera flash, papercraft props, and the like; but never have I been more interested in something (other than self-portraits) than levitating shots. That feeling where you feel temporarily weightless for a split-second captured in a photograph is very rewarding; especially when everything is timed right and framed perfectly. This started back in late August and since then, as of the 14th November, one photo wasn’t a levitation photo (Remembrance Day). Imagine something as simple as opening a door, you can add a little bit of interesting by floating to open that door. The possibilities are endless!

A little background history of where I got my inspiration from. Natsumi from Yowayowa camera has some incredible and awe-inspiring photos using levitation. Some photos are very simple, where others have a high level of difficulty and composition (examples: #1, #2). The higher difficulty for some shots means her friend is with her near the camera (if she is from a far distance, and at the risk of the camera getting stolen).

What amazes me the most is how composed she is when levitating; how her face doesn’t seem she’d be exerting a lot of energy to levitate– almost natural. I noticed in some of my photos that isn’t the case as you do see the exerting face.

Now to those who would like to try this for yourself this is the minimum gear I need to take a levitation shot:
Camera: Nikon D3
Lenses: AF-S Nikkor 35mm f/1.4, AF-S Nikkor 14-24mm f/2.8
Tripod: Velbon Sherpa 550R with Manfrotto Ballhead

Shutter speeds: Ranging from 1/250 (with flash), 1/400 and faster (the faster the better)

Of course if you don’t own an SLR, a point and shoot will suffice, provided you have ample light– worse case scenario, use flash.

Depending on how the photo is framed I’ll either go with the built-in intervalometer which will fire an x amount of photos after it has autofocused. I also use the self-timer (2, 5, or 10s)– only difference is you have to get the focus first before taking the shot; I use the self-timer more when I’m using the 14-24mm lense. For both situations, it will require running to your designated spot, composing yourself and hopefully counted down properly– I stress that the most, because the levitation comes down to that split second; otherwise you’ll either just got off the ground or just about to land. That part alone will get you to jump over and over– I hope you have the stamina for that. You will get the hang of knowing when the shutter will fire.

Here’s the collective of my levitation shots thus far: Float on – Levitation

I don’t know if I’ll continue to levitate from now (nearing 300 days) to the end of the 365Project, though time will tell.

I hope then, this helps in getting you guys to go out and levitate! ^_^

Ok, this happened back in late March, and I only now get to post this. A group of Vancouver photographers rented out a studio for the day, had a lovely model as the subject and tonnes of lighting equipment. Suddenly we’re hogging wireless triggers and wanting some shooting time.

That was my first time shooting in a studio atmosphere, as well as using lighting equipment that would make my minuscule Nikon CLS setup run away in fear. First part was getting familiar with the multi-lighted setup, and it was challenging; making sure the strobes fire at the right position and knowing which ones not to fire depending on the situation. Most times I was very nervous shooting with many established photographers present, but knowing a few via Twitter, I did feel more comfortable as well, I got a few pointers.

Probably what I felt the most nervous about this experience is directing the model. I’ve had little experience with portraiture (only mainly self-portraiture) so this was a bit intimidating; something I need to get over real soon if I want to keep doing this.

Overall, I enjoyed my studio time, and I hope there are more days like this where you come to meet, learn and shoot.

*click*

This is my second time participating in this 12×12 Vancouver Photo Marathon; and this edition features something the 2010 marathon didn’t have: Sunshine.

For those unaware of how 12×12 works, you are given a roll of film (yes, you heard right), and asked to shoot 12 photos in the span of 12 hours. A theme (shown above) is announced at the top of the hour and as simple as it sounds you take a photo with the theme in mind. Some of those themes will really get you thinking, and on top of that, as the marathon goes further in the day, you become physically, and mentally drained so coming up with something incredible becomes more difficult (in my experience anyway)

I wanted to make up for the major gaffe I made last year which was not loading the film properly. That resulted in lost frames for the first 3 themes. I switched to a slightly modern camera (the Nikon F50 from the mid 90s) in comparison to my all manual, classic Nikon FM2 which I used in 2010. Not only did it automatically wind up to the first exposure, I got to use all my modern lenses, which the FM2 rejects

Overall, I think I did a better job than last year for a number of reasons: 1 year later = 1 year wiser; You learn from your mistakes, you prepare. A few things I seemed to anticipate (like the ubiquitous first theme), and with the help of other fellow participants, some shots I couldn’t achieve, so big thanks to those who helped (and you know who you are, pat yourself on the back).

I also have been asking around that day how this photo marathon will stay afloat moving forward. The organizers at 12×12 said they used the last 60 rolls of 12exp Kodak 400 film (as it has since been discontinued). Even John Roberts‘ similar marathon based in Victoria, the Victoria 12 By U is put on hold because of the lack of 12 exposure film. The marathon itself may have to be modified in some capacity, time will tell how this will be solved.

I’m anxious to see how everyone’s photos turned out come September 25th. If all my photos were properly exposed, that’s a small victory for me.

*click*

18 June 2011. Kanazawa, Ishikawa, Japan








Just a sample for you guys.

This being my first time shooting a wedding, and I know there’s plenty of room for improvement; namely communcation. It was a great experience getting my feet wet, and I’d love to shoot another wedding in the near future.

After finishing the first year of the 365 project last year, I said that I would do it again but not for another few years. Well, fast forward to today and after finishing a 141 day Faceless Project it only took a month after to start a new year of 365 goodness! I missed the daily routine of shooting pictures every day. This January, I only got a handful of self-portraits up, because there was other priorities, and mainly recovering from the Faceless Project.

Now this 365 begins where the last one left off. the me on the left, in the same outfit from Day 365 hands the crown over to the me on the right.

I told myself that I would put more effort in each photo compared to the last project because I had ran out of time on some days. I don’t just want to be content with putting up a photo I don’t like. This also will add an extra degree of difficulty as 2 different vacations are on the horizon this year as the 365 hits the road. I hope by then I manage time wisely to get a decent shot in, as well as showcasing the places I will visit; more on that to follow in the coming months.

I wish my computer was faster to cope with the editing et al. Even though it’s one photo being worked on most of the time every day, sometimes my computer isn’t on the same pace as me. I hope to rectify that problem soon.

So follow along on my flickr page for daily updates as well, there will be periodical updates here as well.

Until then.

2 weeks removed from the 141 Day Faceless Project, and again, I had that feeling where I couldn’t believe I did this day after day (that goes double for the 2009-10 365 project). There’s a bit more freedom now since I am no longer on a schedule where I have to get a photo in before midnight. I always thought taking self-portraits had to be connected with long-term projects, but since the start of the year I got in 5 so far.

The project seems to show a lot of fluctuation, a large string of lows followed by pockets of high points, which result in photos I’m actually OK with. I know, overall, this was a filler project– meaning that this project was created for the sake of being productive. I never really warmed up to it, but I didn’t hate doing it; if i hated it, I would’ve given up a week in.

I’m looking to go for another long-term project in 2012, (365.2 maybe?) but for now, I do like that I’ll post a photo when I feel like it. I have more time to focus on other things– things I may have neglected, or of more importance.

I hope for a new design for this website. This current theme isn’t working for me.

Day 102 - Should've been inside

This week in The Faceless Project takes it outside for 3 days — all involving the snow. It wasn’t until a few weeks ago where I had time to take it to the streets (or the backyard) and snap a photo for the day. The photo above I had to forcibly blur the entire photo because I wasn’t in focus. (realized it after the fact)

Again, after mulling it over I wanted it to be a cloned shot; me throwing a snowball at myself. But oh well.

Day 105

More snow fell. time to shovel up the snow in the driveway and sidewalks. I used to not like jumping photos, but that did change in the 365 project and by all accounts this is the first jump in this project.

Day 106

As typical of snow falling in Vancouver, it melts away days (most often hours) soon after it falls. But thing is it’s late November with 3 weeks to go before Winter officially begins, so hoping for more snow in the coming months.

December is inching closer. that means the final month of The Faceless Project.

The week that was.
Day 101
Day 102
Day 103
Day 104
Day 105
Day 106
Day 107

Day 95 - Too many cardigans!

You may (or may not) recall a posting I did way back in late August talking about starting a new project. Well, the project itself has reached day 100 and just over a month away from completion.

The 100th day in question?

Day 100 - Write it in the snow

This is merely looking back at the last 100 days, and what’s to come for the last 41. Aside from what I had mentioned in my previous posting, it does prove difficult to naturally frame a shot where you’re not looking at the camera. I know I have done some faceless shots from the 365 Project, but not on a consecutive basis. I still have a lot to improve on. I have already done a duplicate of a previous shot within the project and I know there were numerous times where I wanted to just abruptly end this project to start another. I feel this is certainly more challenging than the 365 Project (numbers aside); just a particular theme for a given amount of time, you will hit a wall sooner or later.

I also feel like I haven’t put as much effort in to this project as I’d hoped. I’ve often put taking a photo until the very last minutes of the day, and I know with that habit I’m sure to actually miss one day (which I hope to avoid). Maybe I’m just selling myself short. I don’t think I was really ready for this project, but I want to finish strong.

Gallery for the Faceless project so far can be found on my flickr here.

I’m glad I got the domain thing up and running. but it’ll be a bit longer before I put some serious effort for this blog.

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